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	<title>EarSlap &#187; psychoacoustics</title>
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		<title>Combination Tones and the Non-Linearities of the Human Ear.</title>
		<link>http://www.earslap.com/doodle/combination-tones-and-the-non-linearities-of-the-human-ear</link>
		<comments>http://www.earslap.com/doodle/combination-tones-and-the-non-linearities-of-the-human-ear#comments</comments>
		<pubDate>Sat, 15 Aug 2009 23:31:26 +0000</pubDate>
		<dc:creator>Batuhan</dc:creator>
				<category><![CDATA[Doodle]]></category>
		<category><![CDATA[Instruction]]></category>
		<category><![CDATA[combination tone]]></category>
		<category><![CDATA[difference tone]]></category>
		<category><![CDATA[psychoacoustics]]></category>
		<category><![CDATA[tartini]]></category>

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		<description><![CDATA[Last week, one of my students brought me a composition he made, which was using combination tones in an interesting compositional context, and that gave me a nudge to do some experimenting on the issue, here I&#8217;ll share what I&#8217;ve found interesting. This is a psychoacoustic phenomenon in which, when at least two tones with [...]]]></description>
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