I am Batuhan Bozkurt.
Things involving computational (sound) art, and my work swirling around the subject are here.
Follow my RSS feed if you care.
I redesigned the site from scratch and just made the switch. Some content from the old site didn’t make it here, but the most popular ones should be covered.
I hope there aren’t many glitches, it’s still a bit rough around the edges; but I’m loving the new look (and functionality) so far. Drop me a line if you see something go awry and if you care enough about it.
Something trippy I made. Who doesn’t like geometric patterns, seriously? (It is rendered using the HTML5 canvas so you need a modern browser which preferably isn’t Internet Explorer).
Click on the image above to experience it.
You can play with it freely by clicking here.
Here is an action video (for the iOS version):
Marc Weidenbaum of Disquiet Interviewed Me About Otomata and Generative Art
Wanted to save this for a higher traffic time. :)
Since its release in this website, Otomata, the generative musical toy has gained significant interest. Millions of people visited the site and played with it. I got so many mails, requests, thanks, and I’ve seen so much cool stuff people did with it and all makes me happy.
Today Otomata got an update. You can play with the new version at the exact same URL (no worries, old pieces still work), go here:
New version has an entirely new (and hopefully better) GUI, 40 cool sound scales to play with, settable tempo, and recording support (you can record your pieces as audio files from the online application and get them to your computer).
Oh, and Otomata now has an iOS version so you can play with it in your iPhones, iPods and iPads on the go. You can share your pieces through twitter and facebook with the iOS app for the world to listen!
As usual, here is an action video:
As the developer of Otomata, I should say that it has been a great ride so far. Thanks for all your support, and have fun!
I just released a multitouch-based gestural instrument for SuperCollider. Here is some explanations, a video demonstration and download instructions.
NatureToolkit gets an update with Genetic Algorithms implementation. This Quark allows you to solve optimization tasks within SuperCollider. It also includes a parameter estimation system which allows you to find out parameters for a Synth to approximate an output similar to a provided audio file.
There also is a video demonstration.
I have released a generative sound album named Laconicism. I distribute it as a piece of software (and code) that you can run on your computer.
I’ve added a new Quark to SuperCollider Quarks repository that allows you to access the multitouch data from supported MacBook (and MacBook Pro) touchpads…
deQuencher is a live sequencing tool. The idea behind it is that, instead of having separate and isolated layers for musical events, you have your sound generators and gates/triggers/parameter changes share the same canvas (and layer), and you interact with your “objects” on that canvas to express your musical ideas on time domain.
Enter to read more.
Discussion of a psychoacoustic phenomenon where the human ear emits a sound of its own and hears it back when faced with a set of tones in a particular arrangement. With sound examples!
Some background information and sound examples from the SCTweeting art where basically music programmers create sounds by typing in code with the limitation of 140 characters of code per piece so that they can be posted on Twitter. Features some of my earliest SCTweet works.
Those of you familiar with linux-audio hackery might know the great time-frequency analyser software called baudline. It is an amazing tool for frequency domain visualization of sound, and it also has scientific measurement tools and time domain visualization features built-in.
I explain how to go about running this piece of software under Mac OS X.